Abstract: This 35 page paper explores both cognitive film theory and the theory of film narration separately as concepts and then together as applied to film. Several films are looked at as examples such as Citizen Kane, A Christmas Story, Clockwatchers, Requiem for a Dream and American Psycho. Genre, particularly postmodernism, is discussed in the context of cognitive film theory. Emotion is also explored in depth. Strengths and weaknesses of the narrative are also discussed. Bibliography lists 17 sources.
Filename: SA205flm.rtf
Pages: 35
Catagory: Film & Television
Subcatagory: Music, Film, Television, Theater & Photography
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